Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
How delightful that François-Xavier Roth and Les Siècles have returned to Berlioz this year, the 150th anniversary of his death....
Reviewed by Mark Pullinger in issue: 02/2019
As continuo player for Teodor Currentzis, director of Il Pomo d’Oro – which has supplied lively backing to concept albums...
Reviewed by Peter Quantrill in issue: 02/2019
The ever-versatile Royal Concertgebouw Orchestra trombonist Jörgen van Rijen has done a great deal to extend his instrument’s representation on...
Reviewed by Andrew Mellor in issue: 02/2019
The first thing that strikes you about this disc is the acoustic, and not in a good way. It’s very...
Reviewed by Harriet Smith in issue: 02/2019
I was totally smitten by John Storgårds and the BBC Philharmonic’s recording of Antheil’s Fourth and Fifth symphonies (6/17) and...
Reviewed by Andrew Farach-Colton in issue: 02/2019
‘Vivaldi lives today thanks to Cecilia Bartoli!’ runs an accolade from Marilyn Horne in the booklet. I can imagine a...
Reviewed by Richard Wigmore in issue: 02/2019
The Lombards at the First Crusade was Verdi’s fourth opera, commissioned by the impresario Merelli after the success of Nabucco....
Reviewed by Richard Lawrence in issue: 02/2019
Vox Luminis, directed with a light touch by bass Lionel Meunier, turn their egalitarian talents to King Arthur (1691) and...
Reviewed by David Vickers in issue: 02/2019
This is Così fan tutte but not quite as we know it. Described as ‘Mozart’s original thoughts recreated and recorded...
Reviewed by Tim Ashley in issue: 02/2019
An immensely important issue, this is the first recording of the performing edition by British musicologist David Trippett of Sardanapalo,...
Reviewed by Tim Ashley in issue: 02/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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