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BRIDGE Cello Sonata CLARKE Viola Sonata

Hands up: I hadn’t realised that Rebecca Clarke had authorised a cello version of her much-recorded Viola Sonata, although it...

Reviewed by Richard Bratby in issue: 01/2019

BRAHMS Cello Sonatas (Kate Wadsworth)

Just a few months ago, I reviewed a disc by Leila Schayegh and Jan Schultsz (Glossa, 10/18) that took Brahms’s...

Reviewed by Andrew Farach-Colton in issue: 01/2019

BEETHOVEN Piano Trios Vol 2 (Trio Con Brio Copenhagen)

Trio Con Brio launched their Beethoven piano trio cycle earlier this year with a pairing of the Op 1 No...

Reviewed by Richard Bratby in issue: 01/2019

JS BACH Die Kunst der Fuge, BWV1080 (Delian Quartet)

Previous Oehms albums from this German quartet have occasioned critical reservations in these pages over their apparently ill-prepared or uncommitted...

Reviewed by Peter Quantrill in issue: 01/2019

Dorothee Mields: War & Peace 1618:1918

Fear, pain, desperation, gallows humour, longing for peace: experiences of war have changed little since earliest record. But what about...

Reviewed by Alexandra Coghlan in issue: 01/2019

Then and There, Here and Now

There’s a real sense of exhilaration to ‘Then and There, Here and Now’ – the 40th-anniversary album by America’s all-male...

Reviewed by Alexandra Coghlan in issue: 01/2019

Star of Heaven: The Eton Choirbook Legacy

There can be few ensembles with such a close understanding of the late 15th-century music preserved in the Eton Choirbook...

Reviewed by Edward Breen in issue: 01/2019

Spring Will Come: Choral Rarities from the Grand Duchy of Finland

Sibelius was not the first composer from Finland, and here Nils Schweckendiek and the Helsinki Chamber Choir shine a light...

Reviewed by Andrew Mellor in issue: 01/2019

In a Strange Land: Elizabethan Composers in Exile

Exile, for Edward Said, was not only banishment but a crucial separation from cultural identity; a sense of not feeling...

Reviewed by Edward Breen in issue: 01/2019

The Ear of Theodoor van Loon

This is one of those recitals of out-of-the-way repertory in which Paul Van Nevel specialises, intended to accompany the paintings...

Reviewed by Fabrice Fitch in issue: 01/2019

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