Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Moses and the Israelites were cursed with 40 years’ wandering in the wilderness. Those who survive the three CDs of...
Reviewed by Neil Fisher in issue: 01/2019
Hard on the heels of the boy Mozart’s parody, Bastien und Bastienne (Signum, A/18), comes the original. The Village Soothsayer...
Reviewed by Richard Lawrence in issue: 01/2019
Maometto II is one of Rossini’s grandest operas, a tale of love and war inspired by Mehmet II’s destruction of...
Reviewed by Richard Osborne in issue: 01/2019
In his booklet note to this disc of love duets, Roberto Alagna argues that all the female characters represent different...
Reviewed by Mark Pullinger in issue: 01/2019
Giovanni Maria Pagliardi (1637-1702) composed operatic entertainments for the Medici and was maestro di cappella at their church, San Lorenzo...
Reviewed by David Vickers in issue: 01/2019
As the Overture plays, the main characters enter via a walkway that extends across the auditorium behind the conductor. They...
Reviewed by Richard Lawrence in issue: 01/2019
Depending how you count them, there are 16 Martinů operas, ranging from single-acters – Alexandre bis (1937) and Ariane (1958)...
Reviewed by Guy Rickards in issue: 01/2019
A new recording of Das Wunder der Heliane is, by definition, an event. The premiere recording in 1993 marked the...
Reviewed by Richard Bratby in issue: 01/2019
Incredibly, this is the first complete recording of Campra’s innovative opéra-ballet L’Europe galante (1697); La Petite Bande and Gustav Leonhardt...
Reviewed by David Vickers in issue: 01/2019
This is the third filmed version of Norma to have appeared in the past year and, for me, the best...
Reviewed by Hugo Shirley in issue: 01/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.