Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The countertenor voice is often admired for its purity of tone and clarity of projection, but one shouldn’t disregard its...
Reviewed by Pwyll ap Siôn in issue: 01/2019
Albion Records serves up another treat for all Vaughan Williams fans: over an hour’s worth of choral fare encompassing an...
Reviewed by Andrew Achenbach in issue: 01/2019
The music of Andrejs Selickis, a Latvian composer born in 1960, is something of a cultural crossroads. On beginning to...
Reviewed by Ivan Moody in issue: 01/2019
Alessandro Scarlatti composed over 700 chamber cantatas, so we can’t be surprised if a new disc serves up what appear...
Reviewed by Lindsay Kemp in issue: 01/2019
More than any other comparable text, that for the Missa pro defunctis has assumed an existence outside of any strictly...
Reviewed by Richard Whitehouse in issue: 01/2019
Gems abound on this third and final volume in what has been a most enterprising survey, and I’m happy to...
Reviewed by Andrew Achenbach in issue: 01/2019
Both of the large-scale sacred works of Mozart’s Vienna decade remained unfinished. The reason for the Requiem’s fragmentary state is...
Reviewed by David Threasher in issue: 01/2019
When Alan Blyth surveyed the extant recordings of Mahler’s Das Lied von der Erde in these pages a couple of...
Reviewed by Hugo Shirley in issue: 01/2019
These three motets were composed for the Chapelle Royale at Versailles: not the present building, but its predecessor. Though the...
Reviewed by Richard Lawrence in issue: 01/2019
Song forms (or, more generally, vocal music) do not play such an important role in Robin Holloway’s creative output as...
Reviewed by Pwyll ap Siôn in issue: 01/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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