Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This recording was made in the monastery of St Florian, near Linz in Austria, where Alois Mühlbacher was a choirboy....
Reviewed by Richard Lawrence in issue: 03/2024
Ever since Bartók’s 1937 Sonata, the medium of two pianos and percussion has exerted a compelling fascination on contemporary composers,...
Reviewed by David Fanning in issue: 03/2024
The La Dolce Volta label’s high-end production values have always befitted Wilhem Latchoumia’s intelligent musicianship and cultivated pianism. Collectors familiar...
Reviewed by Jed Distler in issue: 03/2024
Hong Kong-born New York-based Tiffany Poon is one of the piano world’s most enterprising vloggers and YouTube denizens, as well...
Reviewed by Jed Distler in issue: 03/2024
In Vladimir Feltsman’s burly hands, Schubert’s Impromptus leap out of the drawing room into the opera house. The characteristically swimmy...
Reviewed by Jed Distler in issue: 03/2024
Poulenc always claimed that the truest measure of his piano-writing was to be found not in the solo works or...
Reviewed by Patrick Rucker in issue: 03/2024
‘If you play the text as it is printed you cannot hope for the music to make much sense. The...
Reviewed by Peter J Rabinowitz in issue: 03/2024
Oh. My. Word. This is, I think, an important recording, not merely because it captures some of the most astonishing...
Reviewed by Jeremy Nicholas in issue: 03/2024
‘If I’m to be remembered for anything’, Philip Glass has remarked, ‘it will probably be for the piano music, because...
Reviewed by Thomas May in issue: 03/2024
Still in his early 50s, Nimrod Borenstein is rapidly establishing himself among the most recorded of contemporary composers in the...
Reviewed by Richard Whitehouse in issue: 03/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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