Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In some ways, Ondine’s second disc of music by Outi Tarkiainen paints the composer in a slightly different light –...
Reviewed by Andrew Mellor in issue: 03/2024
Sibelius’s biographer Erik Tawaststjerna (I write this on the 30th anniversary of his death) once stated that Herbert von Karajan...
Reviewed by Guy Rickards in issue: 03/2024
For The Carnival, Lang Lang is joined by his pianist wife Gina Alice. It begins splendidly with the lion loudly...
Reviewed by Jeremy Nicholas in issue: 03/2024
The new Kaija Saariaho-funded organ at the Musiikkitalo in Helsinki has sparked a mini-revival for the composer’s organ concerto Maan...
Reviewed by Andrew Mellor in issue: 03/2024
Discs entirely devoted to Mozart overtures are rare, with good reason. With the familiar works the ear repeatedly craves the...
Reviewed by Richard Wigmore in issue: 03/2024
German composer Joseph Martin Kraus was born the same year as Mozart, trained in Mannheim and worked at the culturally...
Reviewed by Lindsay Kemp in issue: 03/2024
Looking for something to blow the musical cobwebs away? Try Henrik Hellstenius. For the past three decades, the Norwegian composer...
Reviewed by Pwyll ap Siôn in issue: 03/2024
‘Slender pieces of modest charm’ is how Richard Wigmore describes the violin concertos in his indispensable Faber Pocket Guide to...
Reviewed by David Threasher in issue: 03/2024
Elena Firsova’s 18-minute, three-movement Piano Concerto – not to be confused with her Piano Concerto No 1 of 1985, which...
Reviewed by David Fanning in issue: 03/2024
The concept behind Mathieu Herzog’s Appassionato would seem to me to be one of chamber music (and the mindset implicit...
Reviewed by Edward Seckerson in issue: 03/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.