Why make a high-end CD player in 2025?
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
Ester, liberatrice del popolo Ebreo was probably written in the early 1670s for one of Rome’s confraternities that sponsored Lenten...
Reviewed by David Vickers in issue: 10/2024
These artists have already served notice of their commitment to this exquisitely wrought repertoire with an uncommonly beautiful recording (10/23)...
Reviewed by Andrew Achenbach in issue: 10/2024
A child of the 18th century, Schubert’s first interpreter, the baritone Johann Michael Vogl, would routinely subject melodic lines to...
Reviewed by Richard Wigmore in issue: 10/2024
It’s the best kind of logic – follow Rodgers and Hammerstein’s first Broadway show Oklahoma! with their second. This again...
Reviewed by Edward Seckerson in issue: 10/2024
Although Parry is often thought of as a composer of Anglican church music, he did in fact write very little...
Reviewed by Jeremy Dibble in issue: 10/2024
I didn’t ‘get’ this touched-up version of the Seven Last Words when I first heard it courtesy of the Henschel...
Reviewed by Richard Wigmore in issue: 10/2024
I warmly welcome this new addition to our collective understanding of the Prince of Venosa. No longer headlining as a...
Reviewed by Edward Breen in issue: 10/2024
Conductors who record Fauré’s Requiem are likely to do so at least twice. Mysteries are few, vocal lines have no...
Reviewed by David Patrick Stearns in issue: 10/2024
em>Hamlet tends to get under the skin, but it’s a sign of how seriously Brett Dean took his 2010 Glyndebourne...
Reviewed by Andrew Mellor in issue: 10/2024
For the second release in his projected survey of Brahms’s complete songs on Linn, Malcolm Martineau is joined by mezzo...
Reviewed by Hugo Shirley in issue: 10/2024
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
'The forensic study of Monteverdi’s madrigals bears ripe fruit from four decades of philological...
Jed Distler delves into a massive collection focusing on the conductor’s later discography
Richard Whitehouse on a collection taking in the London Sinfonietta’s 1970s recordings
'A veritable treasure trove for enthusiasts'
Rob Cowan on three collections of vintage recorded performances
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