Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
According to some claims, Brahms might have left us as many songs as Schubert, if he had been less self-critical....
Reviewed by Richard Fairman in issue: 2/2000
Here is an important addition to this work's discography and a 'must' for any serious Wagnerian collector. In 1943, Bayreuth...
Reviewed by Alan Blyth in issue: 2/1994
London-born Robert Still (1910-71) originally studied History and French at Oxford before switching to Music and studying under Gordon Jacob...
Reviewed by Andrew Achenbach in issue: 7/2006
I found the opening of this disc—a performance of the Haffner March that careers between the mincing and the ultra-pompous—so...
Reviewed by Stanley Sadie in issue: 3/1993
Another singer, it appears, for the Pantheon. All right, let’s not be rash. Pantheon Grade 3 let’s cautiously allow her...
Reviewed by John Steane in issue: 5/2006
With the Hyperion Schubert Edition nearing the home straight, only four more volumes after this one to come (including an...
Reviewed by Alan Blyth in issue: 12/1999
Much as I have enjoyed other digital recordings of Beethoven’s first quartets by (for example) the Tak·cs and Lindsay Quartets, this...
Reviewed by Rob Cowan in issue: 2/2008
This live anthology is a clever way of offering a ‘sampler’ of La Venexiana’s survey of Monteverdi’s madrigals without resorting...
Reviewed by Fabrice Fitch in issue: 2/2006
For 40 years, from his mid-thirties onwards, Koechlin, when he wasn't day-dreaming about goddesses of the cinema screen, was obsessed...
Reviewed by Lionel Salter in issue: 6/1994
There is an insatiability to Rilling's recording career reflected in this, his third account of Bach's great Mass. Rilling indeed...
Reviewed by Jonathan Freeman-Attwood in issue: 5/2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.