Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Capriccio's new issue fills a gap in that Mozart's Symphonies Nos. 6 and 8 are only otherwise obtainable in multiple...
Reviewed in issue 12/1989
On a New York summer evening in 2009, a gang of brass musicians and percussionists decked out in various shades...
Reviewed by jdavidson in issue: 9/2010
The first thing that hits you about this disc is the extraordinary range and quality of the sound. As Aho’s...
Reviewed by Guy Rickards in issue: 10/2003
Nimbus, with William Boughton and the English Symphony Orchestra, have beaten Chandos, Matthias Bamert and the London Philharmonic to the...
Reviewed in issue 5/1992
“From Scandinavia”, indeed! Three of the four composers, Magnus Lindberg, Kaija Saariaho and Jukka Tiensuu (plus Kari Kriikku), hail from...
Reviewed in issue 9/1996
The jazz influence makes these two concertos—both fruits of the 1920s—a perfectly logical pair. Gershwin wanted to study with Ravel...
Reviewed by Peter Dickinson in issue: 9/1990
Leslie Howard’s voyage through Liszt’s complete piano music is one that has yielded discoveries, even for this most indefatigable of...
Reviewed in issue 1/1998
These selections from popular operettas were originally issued by Philips in France in the 1950s. The jewel here is the...
Reviewed by po'connor in issue: 5/2010
Paavo Jarvi and the 35 musicians of the Tapiola Sinfonietta are competent and stylish in this repertoire. The first item,...
Reviewed by Christopher Headington in issue: 11/1990
I wouldn't, to be honest, pop any of these Messiahs into my Christmas stockings. The differences between them—and there are...
Reviewed by hfinch in issue: 12/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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