Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Here on five CDs are Wilhelm Kempff’s complete Decca and DG concerto recordings dating from the 1950s. Most mercurial of...
Reviewed by Bryce Morrison in issue: 10/2003
Formidable! A voice to hold children from play and old men from the chimney corner. Calbo’s manly aria in Maometto...
Reviewed in issue 11/1996
''I wrote it for elephants,'' exclaimed Rachmaninov, shaking his head in fear and disbelief over the difficulties of his Third...
Reviewed by Bryce Morrison in issue: 9/1992
These delightful classical rags – so memorable – have been performed in many ways. Absolutely straight, by the likes of...
Reviewed by Peter Dickinson in issue: 8/2000
The Decca engineers have done it again. Here is a more truthful, realistic acoustic than that we have heard on...
Reviewed by Alan Blyth in issue: 12/1984
Johann Schobert is a composer for whom I have long nurtured a soft spot, and this disc only makes it...
Reviewed by Stanley Sadie in issue: 12/1989
Viktoria Mullova isn’t quite a Baroque violinist – her Strad is fitted with gut strings, she’s using a Baroque bow...
Reviewed by DuncanDruce in issue: 7/2005
The increasingly long list of song records made by Hyperion is one of the main pleasures of the current catalogue....
Reviewed in issue 6/1988
What an amiable fellow Offenbach must have been! This rediscovered concerto rondo begins with a mock military fanfare, complete with...
Reviewed by Andrew Lamb in issue: 8/1986
Here’s some overmatter from the Messiaen centenary last year. The 14-CD EMI set is one of those incredibly useful, disarmingly...
Reviewed by Philip_Clark in issue: 5/2009
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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