Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
These two recordings have much in common and much that differs. Both choirs are made up of young singers from...
Reviewed by mberry in issue: 7/2003
Jeffrey Talbot is the possessor of a forwardly produced, Italianate tenor, which he uses with taste and often distinction. He...
Reviewed by Alan Blyth in issue: 3/1987
An enterprising coupling. Both sonatas have been recorded before: the Balakirev by Louis Kentner (Columbia—nla), Ronald Smith (EMI—nla) and Albert...
Reviewed by Robert Layton in issue: 9/1987
Not for the first time reissued, these recordings in fact date back to 1963, and by present-day standards are now...
Reviewed by Joan Chissell in issue: 3/1985
I imagine we’d all agree that it’s important for a performer to become personally involved in the music, to feel...
Reviewed by DuncanDruce in issue: 5/2006
The name of Alexandre Boely is familiar in the organist's world but hardly in the chamber musician's. He lived from...
Reviewed by Stanley Sadie in issue: 8/1987
With this recording, Aline d’Ambricourt offerslisteners an interesting opportunity to contemplate the relationship between Couperin and Marchand as organists, harpsichordists,...
Reviewed by Julie Anne Sadie in issue: 4/2004
The Cleveland Quartet’s pilgrimage through the Beethoven canon (previously reviewed 5/93, 2/94, 10/94, 8/95 and 3/96) has, with this latest...
Reviewed by DuncanDruce in issue: 9/1997
These performances were among the finest in Hungaroton's Bartok Complete Edition and they are well worth promoting to CD. There...
Reviewed in issue 6/1987
It is not hard to point to the defects of Smetana's first opera; they cannot be denied, but especially in...
Reviewed by John Warrack in issue: 5/1994
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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