Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Guillaume Morlaye (1510?-589.) was a man of many parts: a player and teacher of the viol and lute, a composer,...
Reviewed by John Duarte in issue: 2/1995
Barbirolli’s Mahler Sixth only recently re-entered the lists in EMI’s Rouge et Noir livery (9/95). The makeweight there is Strauss’s...
Reviewed in issue 10/1996
And still they come: recordings of Eine Alpensinfonie, and they are all very good, too, making the choice for the...
Reviewed in issue 9/1990
When reviewing the original LP I remarked that whilst enjoying this Italian baroque miscellany I was conscious that neither Judith...
Reviewed by Nicholas Anderson in issue: 5/1985
Diligent collectors have been able to trace the history of Shostakovich’s masterpiece in detail, starting with the typically slapdash playing...
Reviewed by David Gutman in issue: 12/2011
''Too good for them'' is one's first reaction to the sleeve-note's reminder that L'enfant prodigue was Debussy's third-time-lucky entry for...
Reviewed by jswain in issue: 9/1983
In one respect, the Seven Last Words in oratorio form has the edge over the other versions. It includes an...
Reviewed by Nalen Anthoni in issue: 12/2000
The comparative performances are those of Weber's Quintet. Antony Pay's is familiar from its issue in 1982, when it was...
Reviewed by John Warrack in issue: 3/1989
Reviewing Abbado’s ineffectually eclectic account of the Ninth Symphony in his mid-1980s Vienna Philharmonic Beethoven cycle, I wrote: ‘Next time,...
Reviewed by Richard Osborne in issue: 1/2001
Is The Mask of Time too much of its own time for its own good? How does the offspring of...
Reviewed by Arnold Whittall in issue: 10/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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