Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Here we have a difficulty. Which to choose between three recommendable, yet very different interpretations? I certainly agree with RO's...
Reviewed by Alan Blyth in issue: 12/1985
With three additional tracks, this is the volume which introduced the “100 Years of Italian Opera” series in 1983, welcomed...
Reviewed in issue 9/1997
Mozart himself wrote enthusiastically to his father of his Quintet, K452: ''I myself consider it to be the best work...
Reviewed by Christopher Headington in issue: 7/1989
This fifth volume in Hyperion’s Romantic Violin Concerto series – already a distinctive and valuable adornment to the catalogue –...
Reviewed by Jeremy Nicholas in issue: 3/2005
As we reach the centenary year, Neeme Jarvi continues the Prokofievian odyssey on which he embarked in the mid-1980s with...
Reviewed by Robert Layton in issue: 2/1991
I bought the Hindemith/Prokofiev coupling in the early 1950s and still possess it. Although numerous LP and CD accounts of...
Reviewed by Robert Layton in issue: 3/1995
Peter Donohoe's recording of Tchaikovsky's Second Piano Concerto deservedly won the Gramophone Concerto Award in 1988. The work had been...
Reviewed by Ivan March in issue: 2/1991
The Beaux Arts Trio used to get three Mozart piano trios on to one LP (Nos. 1, 2, and 5—SAL3682,...
Reviewed in issue 6/1984
The Lindsay’s policy of pairing Mozart quartets and quintets makes for very attractive programmes; here, the sombre D minor Quartet...
Reviewed by DuncanDruce in issue: 4/1998
Every new disc from Paul O’Dette is a special event, not least because he manages to heap revelation upon revelation...
Reviewed by William Yeoman in issue: 12/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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