Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The vociferous applause accorded to Gergiev’s unique interpretation of the Resurrection at London’s Barbican Hall last April is not immortalised...
Reviewed by David Gutman in issue: 3/2009
An interesting essay on the relation of composer to poet could be written on the basis of this enterprising collection....
Reviewed by Michael Oliver in issue: 9/1989
You know what to expect by now. Hovhaness's serenely contemplative muse, couched as it is in a readily approachable modal...
Reviewed by Andrew Achenbach in issue: 3/1995
Samuel Barber’s piano music ranges over a 50-year span capturing him in a startling variety of moods; outsize and virtuosic...
Reviewed by Bryce Morrison in issue: 6/1997
Anyone who enjoyed Erik Norby’s tone-poem The Rainbow Snake will derive much pleasure from this disc. Cortege and Corps celeste...
Reviewed by kYlzrO1BaC7A in issue: 8/1998
It was early last year that the Gobel Trio of Berlin gave the Gramophone Compact Disc Catalogue its first complete...
Reviewed by Joan Chissell in issue: 11/1990
Although Berwald has come to dominate our view of mid-19th- century Sweden, there were many composers active at the time,...
Reviewed by Guy Rickards in issue: 9/2000
There have been several excellent new accounts of Shostakovich’s Second Cello Concerto recently, and in many ways Jamie Walton’s is...
Reviewed by David Fanning in issue: 1/2009
Two versions of the Beethoven Violin Concerto from Itzhak Perlman (both EMI), two vintage Philips ones from Arthur Grumiaux, the...
Reviewed by Edward Greenfield in issue: 11/1989
There are some works that are so glorious that a mere minute or two in their company is enough to...
Reviewed in issue 13/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.