Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
These recordings date from 1957-9 and were made at a time when Cziffra's star shone with a unique, unsurpassed brilliance....
Reviewed by Bryce Morrison in issue: 11/1994
In the mid 1920s Gigli's voice was probably at its finest. Several of the recordings heard here show him in...
Reviewed in issue 5/1990
These are vibrant performances, suitably varied in colour, nicely paced, and recorded with superb clarity. That is to say that...
Reviewed by David Fallows in issue: 3/1996
Try as I may, I couldn’t find any artistic plan or logic behind the choice of items for this oddly...
Reviewed by Alan Blyth in issue: 12/1998
Rameau's Pieces de clavecin en concerts were published in 1741, the idea for such pieces having been given to him...
Reviewed by Nicholas Anderson in issue: 4/1993
Henry Cowell was an avant-garde pioneer with his tone-clusters; became a multi-culturalist, some of whose music falls midway between East...
Reviewed by Peter Dickinson in issue: 5/2005
The Missa in tempore belli of 1796 was Haydn’s reaction to Napoleon’s first threat to Austria. But this was no...
Reviewed by Nalen Anthoni in issue: 6/2008
Wynton Marsalis’s string quartet is all ‘about’ melding and crossing barriers, about Creole men and their Octoroon mistresses and the...
Reviewed in issue 7/1999
A favourite and appropriate pairing – Dvorak’s most passionate chamber work in harness with one of his most genial. The...
Reviewed in issue 1/1997
We all know of Ferdinand David as leader of the Leipzig Gewandhaus Orchestra in its heyday under Mendelssohn who, incidentally,...
Reviewed by Joan Chissell in issue: 9/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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