Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
As AB said in his review of the original issue, Brahms suits Margaret Price particularly well. The broad sweep of...
Reviewed in issue 2/1987
Booklet-essays need to be positive, so when Roger Hollinrake declares that “the accomplishment of Nietzsche’s surviving songs is not in...
Reviewed by Arnold Whittall in issue: 3/1996
Close on the coat-tails of Nikolaus Harnoncourt’s cultivated new reading comes a special “presentation” release from Jan Willem de Vriend....
Reviewed by Jonathan Freeman-Attwood in issue: 1/2008
The riot of proliferating counterpoint that is Tippett's Symphony No. 1 presents enough problems of orchestral balance to give recording...
Reviewed by Arnold Whittall in issue: 4/1995
Arriaga wrote his three string quartets in Paris, when he was 17; he died there before he was 20. They...
Reviewed by Stanley Sadie in issue: 1/2004
What has happened to Decca's San Francisco sound? To sample, say, their recent Hindemith Nobilissima Visione (4193) and Mendelssohn Italian...
Reviewed by Jonathan Swain in issue: 10/1993
Battle and Perlman together in Bach sounds like a recipe for no uncertain sweetness and much stained-glass light. Prospective buyers...
Reviewed by hfinch in issue: 3/1992
Diminutive in stature and unassuming in manner, Annie Fischer was among the past century’s most heroic pianists. Few artists have...
Reviewed by Bryce Morrison in issue: 6/2004
An enthusiast told me recently that Yuri Bashmet is one of the supreme violists to emerge in recent years, and...
Reviewed by James Methuen-Campbell in issue: 5/1988
I shall be forgiven if I say that I feel a little like the man at a wine-tasting who, when...
Reviewed by Alan Blyth in issue: 7/1985
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.