Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Thirty-one years on and you might almost be listening to the 1975 cast album. Almost. There’s a softening of the...
Reviewed by Edward Seckerson in issue: 1/2007
Following hot on the heels of Philippe Pierlot’s outstanding Magnificat last year (Mirare, 3/10), Jos van Veldhoven continues his Bach...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2011
“The Tallis Christmas Mass”, newly rescued from oblivion by David Wulstan and Sally Dunkley, and recorded – as could hardly...
Reviewed by mberry in issue: 12/1998
The humbling cover photograph shows a hat, an overcoat and a violin case resting on top of some baggage. One...
Reviewed by Rob Cowan in issue: 1/2005
After the disappointment of Desplat’s soundtrack for Lust, Caution, he has found renewed inspiration from Philip Pullman’s The Golden Compass,...
Reviewed by Adrian Edwards in issue: 3/2008
A welcome disc as it restores the 1940 Symphony in E flat to circulation; a work that has not been...
Reviewed by John Steane in issue: 10/1992
Paul Creston's gloriously red-blooded Second Symphony receives most persuasive, warm-hearted advocacy from the indefatigable Neeme Jarvi and his admirable Detroit...
Reviewed by Andrew Achenbach in issue: 11/1995
Der Tag des Gerichts (''The Day of Judgement'') is one of Telemann's greatest achievements and belongs to that almost miraculous...
Reviewed by Nicholas Anderson in issue: 8/1993
This account of the C major Quintet is notably clean, disciplined and transparent, with the extra cello giving richness but...
Reviewed by DuncanDruce in issue: 11/1996
Following close on Muriel Cantoreggi’s superb account of Polyptyque (1973) with Christoph Poppen comes this competitor, also featuring the...
Reviewed by Guy Rickards in issue: 5/2009
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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