Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
If there is one moment that justifies the existence of this new CD it is the climax of the seldom...
Reviewed by Alan Blyth in issue: 9/1989
This curious programme is not without a certain logic. Its most direct competitor is an all-Prokofiev miscellany in which Joseph...
Reviewed by David Gutman in issue: 9/2008
That such a great artist as Solomon should emerge from his cruelly fraught prodigy years only to find himself cut...
Reviewed by Bryce Morrison in issue: 2/2003
Klinko, his own annotator, refers to ''the harp's ability to... emphasize the ethereal far beyond the scope of the piano''....
Reviewed by John Duarte in issue: 8/1993
Some time in the early 1980s I was asked to check the script of this film for factual accuracy, and...
Reviewed in issue 3/1995
Elliott Schwartz (b1936) has been neglected by the British record catalogue, which is surprising since he has at least a...
Reviewed by Peter Dickinson in issue: 13/2004
William Alwyn planned his first four symphonies as a unified cycle, so the Fourth (completed in 1959 and premiered by...
Reviewed by Andrew Achenbach in issue: 5/2006
When the 22-year-old Handel was commissioned, in 1708, to compose La Resurrezione he was virtually given carte blanche by his...
Reviewed in issue 7/1991
Some years ago, I received a call from the then producer of BBC Radio 3’s Record Review, Arthur Johnson, asking...
Reviewed by Richard Osborne in issue: 6/1999
A cycle of the complete sacred works of a busy composer like Vivaldi is bound to include some of those...
Reviewed by Lindsay Kemp in issue: 11/2003
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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