Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
A front-runner among the 30 or so currently listed versions. Its speeds are unusually close to Brahms’s suggestions and are...
Reviewed in issue 9/1999
All three performances last appeared on a DG five-LP set reviewed in January 1977 (nla), which included a 1926 Tod...
Reviewed by Robert Layton in issue: 5/1990
Reviewed by kYlzrO1BaC7A in issue: 0/0
The two RCA discs contain live performances given at four concerts in New York's Metropolitan Museum of Art during 1984...
Reviewed in issue 9/1988
This is Barbara Hendricks’s second Strauss song recital in recent years, the first one having Ralf Gothoni as pianist in...
Reviewed in issue 6/1996
No record company has been quite as discerning as Decca in its releases of Handel's great set of Concerti grossi,...
Reviewed by Nicholas Anderson in issue: 8/1993
The best Belgian composer of recent times, Henri Pousseur, has been almost completely ignored by the record companies. Philippe Boesmans...
Reviewed by Arnold Whittall in issue: 10/1989
These are essential performances that ought to be in any comprehensive collection of Wagnerian interpretation. Recorded during the 1936 Bayreuth...
Reviewed by Alan Blyth in issue: 8/1993
As a vehicle for both recreation and delicacy of sentiment, the viola da gamba has a peerless lineage in the...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1999
The King Goes Forth to France (1980-83) was Sallinen’s third opera and is regarded by many commentators as the composer’s...
Reviewed by Guy Rickards in issue: 7/2006
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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