Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This muchtravelled production‚ first seen in Verona in 1979‚ had a cast of especially powerful voices by the time it...
Reviewed in issue 11/2001
1990 was the last year of the ancien régime at the Salzburg Festival before the revolution brought about by Gérard...
Reviewed by Alan Blyth in issue: 2/2006
Not so long ago recordings of Hindemith's Kammermusiken were few and far between; now there are at least five available...
Reviewed by Guy Rickards in issue: 5/2000
A quarter of a century after his death, Hindemith's reputation is recovering after the slump that seems to set in...
Reviewed by Lionel Salter in issue: 10/1988
At first sight this looks like the video equivalent of the recent Kirov/Philips account of the opera on CD (10/93)....
Reviewed by Alan Blyth in issue: 6/1994
Beecham made all too few recordings of Mozart operas, so this CD reissue, in spite of a number of drawbacks,...
Reviewed by Alan Blyth in issue: 3/1991
This was the first CD I'd played in my own study and, with eyes shut, the illusion was complete: Mitsuko...
Reviewed by Joan Chissell in issue: 7/1984
‘Perhaps the best of all my works’, said Gluck of his Armide. But this, the fifth of his seven ‘reform...
Reviewed by Stanley Sadie in issue: 6/1999
These six sonatas, said by Forkel to have been written for Wilhelm Friedemann (Bach's eldest son) as exercises on a...
Reviewed by John Duarte in issue: 6/1989
Listening now to Ernst Krenek’s bracing First Symphony (1921), one can readily understand what electrified the audience at its premiere...
Reviewed in issue 1/1997
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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