Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Having declared with cautious confidence in my review of James Tocco's recital, for Kingdom/Conifer, last year that ''MacDowell probably was...
Reviewed by Arnold Whittall in issue: 10/1990
The chief fault with this record is that in the songs the harpsichord is so unfavourably balanced—and in the 1960s...
Reviewed in issue 10/1985
For works that are so seldom performed in the concert-hall, Weill’s Second Symphony and his Violin Concerto have both notched...
Reviewed by Patrick O'Connor in issue: 9/1998
The winner of the 1999 Paganini Competition at the age of 16, Sayaka Shoji isn’t merely a superb technician, she’s...
Reviewed by Julie Anne Sadie in issue: 7/2011
Howard Shelley's series of Mozart concerto performances is of a consistently high standard. Reviewing earlier issues, I have written of...
Reviewed by Christopher Headington in issue: 1/1995
Nimbus may just have stolen a march over Chandos, with their world premiere recording of Parry's First Symphony, but there...
Reviewed by mjameson in issue: 7/1992
Barthold Hinrich Brockes was a prolific poet of the early-German Enlightenment. From a literary standpoint Brockes's most important and, indeed,...
Reviewed by Nicholas Anderson in issue: 12/1986
Much as I admire Steven Osborne (he was even able to persuade me of the merits of Britten’s Piano Concerto),...
Reviewed by Jeremy Nicholas in issue: 6/2010
‘Complete Works’ is the bold claim on this disc, called into question by its omission of the youthful Cello Concerto....
Reviewed by Edward Greenfield in issue: 4/2004
Here’s a useful coupling of Schumann’s two works for strings with piano from 1842, his magnificent “year of chamber music”,...
Reviewed by David Threasher in issue: 8/2009
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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