Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This is a surprise, and a pleasant one. In 1920 Schoenberg began a chamber version of the work but left...
Reviewed by Alan Blyth in issue: 12/1994
With its seven composers and 48 tracks, this disc provides a mixed bag, though the ''For Children'' title indicates the...
Reviewed by Christopher Headington in issue: 12/1992
The 19-year-old Hilary Hahn follows up the success of her first Sony disc (chosen as 'Recording of the Month' in...
Reviewed in issue 5/2000
A recording of Gianni Schicchi in German might seem to make little sense (at least outside Germany), were it not...
Reviewed by Edward Greenfield in issue: 2/2001
EMI’s commitment to Thomas Adès continues with this miscellany of recent works. Its Hebrew title referring to structures of security...
Reviewed by Richard_Whitehouse in issue: 4/2010
A complete Tristan from Knappertsbusch with a near-ideal cast, together with much of Act 2 and a complete version of...
Reviewed in issue 5/1995
Given that York Bowen’s Viola Concerto was my most moreish discovery last year (7/05), I could hardly wait to get...
Reviewed by Andrew Achenbach in issue: 9/2006
Helmuth Rilling's Bach cantata recordings have had a pretty raw deal in the UK from a marketing point of view....
Reviewed by Nicholas Anderson in issue: 2/1995
The Triple Concerto is not a feeble work of Beethoven's, as it is often considered; and if I state that...
Reviewed in issue 5/1987
This splendid, weighty performance of the Shostakovich Fifth Symphony appeared originally in the same month as the Fifth Symphony of...
Reviewed by Edward Greenfield in issue: 5/1983
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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