Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This performance of Bartok's most sumptuous and self-indulgent orchestral score is every bit as enjoyably extravagant as I remembered it...
Reviewed by Arnold Whittall in issue: 3/1989
If Edouard Dupuy (?1770-1822) hadn’t written an opera somebody would have had to write an opera about him. Of obscure...
Reviewed by Michael Oliver in issue: 12/1997
Messiaen was very proud of how pictorial his Catalogue d’oiseaux is, of how it illustrates not only the songs of...
Reviewed by Michael Oliver in issue: 2/1998
Gesualdo's Tenebrae have a distinguished discography. Ten years ago the Hilliard Ensemble's recording of all three days of the Triduum...
Reviewed by Fabrice Fitch in issue: 6/2000
Monteverdi’s operatic masterpieces are now established in repertoire as in reputation. With the famous production of Calisto at Glyndebourne in...
Reviewed by John Steane in issue: 6/2005
Only on his death in 1981 was Mikhail Nosyrev rehabilitated, after a lifetime of betrayal, imprisonment and then – following...
Reviewed by John Warrack in issue: 10/2000
At the 1997 Cardiff Singer of the World Competition, I was surprised that the jury did not see fit to...
Reviewed by Alan Blyth in issue: 9/1998
This is a good Vaughan Williams selection—three of his most popular works plus the early 'symphonic impression' In the Fen...
Reviewed in issue 4/1992
The sound on CD is close, with the wind and piano more forward in the balance—the piano especially—than I would...
Reviewed in issue 9/1985
You can glean something of Haitink’s approach to music-making from the way he marks up his scores. Or rather doesn’t...
Reviewed by David Gutman in issue: 7/2009
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.