Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Sarema (1895) was the 23-year-old Zemlinsky’s first opera, but despite his later fame it was soon forgotten: this recording is...
Reviewed by Michael Oliver in issue: 3/1997
It seems that Asrael's time has well and truly come, and the appearance of these two new contenders swells the...
Reviewed by Andrew Achenbach in issue: 1/1994
Having impressed with his discs devoted to Honegger, Martin and Schoeck, Christian Poltéra turns to concertos stamped with the indelible...
Reviewed by Richard_Whitehouse in issue: 4/2010
Many people have recorded the fourteenth-century instrumental dances that appear only in a single manuscript now in London. Apart from...
Reviewed by David Fallows in issue: 12/1997
Hesperion XXI’s recent recordings have seen it strike out in many different directions beyond Europe, in collaboration with local ensembles...
Reviewed by Fabrice Fitch in issue: 13/2010
Finnish pianist, Risto Lauriala, has something of that old-fashioned reverence for Bach’s Goldberg Variations. But, in spite of clearly articulated...
Reviewed by Nicholas Anderson in issue: 11/1998
Another disc, hot on the heels of the Oxford Pro Musica recording which I review on page 137, linking the...
Reviewed in issue 12/1994
Beverly Sills gave only one London recital, at the Royal Festival Hall on Bastille Day 1971. The programme was Mozart,...
Reviewed by Patrick O'Connor in issue: 2/1995
Hurrah for EMI! It is the last remaining major company to take seriously the recording of mainstream operas, that is...
Reviewed by Alan Blyth in issue: 10/2000
Sophie Yates follows her French and Iberian collections (11/93 and 11/94) with an English one, an overview of the period...
Reviewed by John Duarte in issue: 12/1995
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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