Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Not a Pathetique as autobiography written in blood, sweat and tears, but one of impressive symphonic rigour: ''music that is...
Reviewed by John Steane in issue: 4/1993
One of the world’s brightest Baroque ensembles performing with one of the world’s most admired Baroque sopranos sounds an enticing...
Reviewed in issue 11/2001
With all the luxuriance of expression that a Gallic approach to Bach can bring, Pygmalion don’t disappoint. The opening motet,...
Reviewed by Jonathan Freeman-Attwood in issue: 12/2008
There has been something of a revival of interest in Daniel Jones’s music lately, and I was glad of the...
Reviewed by Michael Oliver in issue: 5/1997
Juan Crisostomo Arriaga was born in Bilbao on January 27th, 1806 (precisely 50 years after Mozart), and died in Paris...
Reviewed by rgolding in issue: 3/1989
For the fourth disc in their planned survey of Robert Fayrfax’s entire works (the first three were reviewed in 6/95,...
Reviewed by David Fallows in issue: 12/1998
All the pieces on this record date from the last years of the nineteenth century, when Dohnanyi was scarcely 20...
Reviewed in issue 5/1995
If ever there were an occasion where Verdi’s opera ought to be entitled ‘Amneris’‚ this is it. In that role...
Reviewed in issue 4/2002
Though these concertos, written “for the entertainment of the Most Serene Infante of Spain, Don Gabriel de Borbon” (Soler’s pupil),...
Reviewed by Lionel Salter in issue: 2/1998
I do not see a current entry for the Lafayette Quartet in The Classical Catalogue. But whether or not this...
Reviewed in issue 7/1992
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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