Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Saint-Saëns dedicated his First and Third Concertos to Sarasate who, we are told, was ‘famed for the classic purity of...
Reviewed by rnichols in issue: 11/2003
The grand tradition of the masque in England has deep roots as a complete musico-dramatic entity in Elizabethan times, yet...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1994
The first release in Marco Polo's three-volume survey of the Medtner Piano Sonatas received a less than favourable review from...
Reviewed by Michael Stewart in issue: 5/1992
This is a DG Original long overdue. Drawing mainly on four solo Bach recordings from 1964 to ’69 (of which...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2005
This is a highly imaginative and most fascinating issue. Hearing the lament from Monteverdi's otherwise lost opera L'Arianna today, whether...
Reviewed in issue 2/1985
Though in later life much preoccupied with larger orchestral, choral and operatic projects as well as public platform duties as...
Reviewed by Joan Chissell in issue: 3/1994
After listening to a clutch of new opera sets that any decent enough but don't seem to me to have...
Reviewed by Alan Blyth in issue: 11/1984
Although not identical in their recitals, Joyce DiDonato and Barbara Hendricks have chosen many of the same songs. It’s difficult,...
Reviewed by po'connor in issue: 10/2007
Few composers employ sound in the creation of form more imaginatively than Frank Denyer. Listening to ‘The Tender Sadness of...
Reviewed by kYlzrO1BaC7A in issue: 10/1999
Why, you might well ask, couple on one disc the most recorded orchestral piece in the repertoire with a symphony...
Reviewed by John Steane in issue: 3/1992
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.