Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
I gave the highest praise to the phenomenally gifted Han-Na Chang’s first CD (which included a glorious account of Tchaikovsky’s...
Reviewed by Ivan March in issue: 12/2000
Neither Karina Georgian, a pupil of Rostropovich and first prize-winner at the 1966 Tchaikovsky Competition, nor Pavel Gililov had come...
Reviewed by Joan Chissell in issue: 9/1994
The Clerks’ Group’s set of nine CDs devoted to the complete Masses and motets of Ockeghem was a milestone in...
Reviewed by Fabrice Fitch in issue: 1/2007
Renaud is often termed, and rightly, the French Battistini: there’s the same smoothness of tonal emission throughout his range, the...
Reviewed by Alan Blyth in issue: 3/1998
In not much more than 18 months, EMI has now recorded 19 works by Thomas Ades, including his full-length opera,...
Reviewed by Michael Oliver in issue: 7/1999
Toscanini's Sibelius is tense, sharply drawn, and highly dramatic. Dark, Nordic atmosphere is replaced by clear, gleaming textures. If these...
Reviewed in issue 11/1992
Watching the solo finals of the BBC’s talent show Classical Star at the Queen Elizabeth Hall, I was not sure...
Reviewed by Jeremy Nicholas in issue: 12/2008
Biber Jnr was employed, like his father before him, at the episcopal court of the Prince-Bishop in Salzburg, and he...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2000
Unlike the two works of Op. 77, Haydn's Op. 76, arguably the greatest, certainly the most exploratory of all eighteenth-century...
Reviewed by Richard Wigmore in issue: 9/1992
The first Figaro recording of all, conducted by Fritz Busch, came from Glyndebourne more than 50 years ago now. It...
Reviewed by Alan Blyth in issue: 7/1988
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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