Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
What an outstanding disc. It takes me back to the days of heated discussion (heated in English choral circles, certainly!)...
Reviewed by Ivan Moody in issue: 3/2010
This is the second ‘Bachiana’ disc from Musica Antiqua Köln, a concept which draws its inspiration from Bach documents and...
Reviewed by Jonathan Freeman-Attwood in issue: 7/2003
Record companies seem slow to grasp that we don't always need recorded applause to convince us that we're listening to...
Reviewed by hfinch in issue: 4/1993
The catalogue is not short of recommendable versions of Janácek’s Intimate Letters Quartet. But there are any number of ways...
Reviewed by David Fanning in issue: 11/2006
Mahler's ''Song of the Night'', the most exotic, the least emotive, the outcast among the symphonies, brings out the best...
Reviewed by Edward Seckerson in issue: 5/1991
I liked the earlier Marco Polo disc of the A major Quintet for clarinet, piano and strings (10/92) for the...
Reviewed by Robert Layton in issue: 7/1994
The Norwegian Chamber Orchestra, now 10 years old, has been described by no less than Rostropovich as ''one of the...
Reviewed in issue 1/1989
Like Karajan, Solti has turned rather late in the day to Bruckner's earliest symphonies; and on the evidence of this...
Reviewed by Richard Osborne in issue: 8/1993
A valuable disc, and an enjoyable one. Miaskovsky's Cello Concerto has remained unjustly neglected by record companies since Rostropovich's 1956...
Reviewed by John Steane in issue: 5/1992
This disc brings together the organ music of, to quote from the booklet, ‘the dominant figures in Danish musical life...
Reviewed by Marc Rochester in issue: 4/2006
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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