Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Mindful of other pianists whose Bach interpretations have been highly praised in the USA, I approached this one (a young...
Reviewed by Lionel Salter in issue: 6/1997
In the English-speaking world, the name of Ernst Pepping can be known only to a small number of people of...
Reviewed by pmarchbank in issue: 9/1992
Yet another excellent record of the Mozart horn concertos from another excellent British soloist with a fluent lyrical style, especially...
Reviewed by Ivan March in issue: 4/1987
A word first about presentation, which is particularly important where this opera is concerned. Ivor Bolton contributes a brief note...
Reviewed by John Steane in issue: 5/2000
This issue is important for the two Szymanowski quartets rather than the newer Polish works. The Lutoslawski was written in...
Reviewed by Robert Layton in issue: 6/1989
It is sad that Sir Thomas Beecham, as a performer if not as a commentator, was largely ignored by the...
Reviewed by Edward Greenfield in issue: 13/2003
This generously filled Scarlatti recital by Mark Swartzentruber is crisp and enlivening, without a trace of the distorting idiosyncrasy of...
Reviewed by Bryce Morrison in issue: 11/2000
''Djong Victorin Yu has come to London via Eastern Europe'', says the booklet, but he is originally from South Korea...
Reviewed by Christopher Headington in issue: 11/1994
This programme might have been put together with an eye to avoiding any direct competition. No harm in that, but...
Reviewed by Arnold Whittall in issue: 6/2001
Vänskä’s Eroica comes to us primed for battle – an energetic, resilient, well drilled performance with surfaces of polished steel....
Reviewed by Rob Cowan in issue: 9/2006
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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