Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Mad World was the first film to be presented in the modified single-lens version of Cinerama and remains one of...
Reviewed in issue 1/1998
There are those who say that once they had heard Ponselle in the flesh they never wanted to hear her...
Reviewed in issue 10/1989
Schoeck's one-act opera, Penthesilea is an astonishing and masterly score. It seems barely credible that a work so gripping in...
Reviewed by Robert Layton in issue: 3/1995
On the strength of its title alone, this disc has much to recommend it: seventeenth-century music from the 'regions' habitually...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1993
I should have learnt long ago how foolish it is to make an 'outright recommendation' in these pages, because as...
Reviewed by Alan Blyth in issue: 11/1989
Rossini's Armida is one of the finest of musical realisations of Tasso's tale of the temptress with supernatural powers. Only...
Reviewed by Richard Osborne in issue: 3/2000
The glowing richness of Sharon Bezaly’s tone is immediately striking. It may be something of an acquired taste compared to...
Reviewed by Harriet Smith in issue: 6/2006
Prior to writing this review I had heard this recording when it was being played in a Cornish tea-shop where...
Reviewed by Adrian Edwards in issue: 3/1995
This 1957 production of Berlioz’s epic five-act opera was the first modern attempt to stage the whole work in one...
Reviewed by po'connor in issue: 10/2009
It is interesting to compare Heifetz's transcriptions with those of Kreisler. Whereas the latter was an accomplished composer, whose original...
Reviewed by James Methuen-Campbell in issue: 12/1988
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.