Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Kun-Woo Paik starts a Beethoven cycle for Decca with mixed results. On the plus side, his muscular, energetic pianism suits...
Reviewed by Jed Distler in issue: 10/2005
Glorious sound here: rich, warm and spacious. There is refined detail, too, partly the result of the conductor's care both...
Reviewed by Ivan March in issue: 4/1991
Who is going to turn up their noses at 82 and a half minutes of Russian cello-and-piano classics, delivered with...
Reviewed by David Fanning in issue: 8/2011
Peter Maxwell Davies has written more concertos than most, but this is his first for the most popular of all...
Reviewed by Michael Oliver in issue: 12/1998
The mono recordings here are variable. The Beethoven Piano and Wind Quintet is distant and subfusc, and not ideally balanced,...
Reviewed by Ivan March in issue: 5/2005
You will notice rather a lot of 'recons.' or 'arr.' in the heading. That is because in eighteenth-century England, when...
Reviewed by Stanley Sadie in issue: 8/1994
Pascal Rogé begins Debussy’s First Etude promisingly. He shapes the left-hand “five-finger exercise” in an appropriately plodding manner and plays...
Reviewed by Jed Distler in issue: 12/2010
Here’s a singer who has reached complete maturity as a singer and artist, revelling in her vocal and interpretative powers....
Reviewed by Alan Blyth in issue: 10/1997
The programme spans more than three decades, the earliest item being the Elegy, Op 5, from 1949. It’s a seven-minute...
Reviewed by Andrew Achenbach in issue: 10/2011
Leonid Kuzmin is a 29-year-old Russian pianist whose hair-raising facility remains sadly uncomplemented by musical insight or discipline. Coyly introduced...
Reviewed by Bryce Morrison in issue: 5/1994
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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