Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Some years ago Kurt Masur recorded all four Brahms symphonies with the Leipzig Gewandhaus (Philips, 9/79 – nla), and I...
Reviewed in issue 1/1997
Was there ever a more liberated or volatile pianist than Alfred Cortot? A true virtuoso in Liszt’s sense (‘one called...
Reviewed by Bryce Morrison in issue: 7/1999
It was an excellent idea for Marco Polo to include in their British Light Music series a CD of items...
Reviewed by Andrew Lamb in issue: 12/1995
Volume 2 of Russell Sherman’s cycle barks but never quite bites. Largely relying on bluster and bravado, his often provocative...
Reviewed by mquinn in issue: 4/1998
Jonathan Biss is a 23-year-old American pianist, winner of sev-eral awards, and heard here in EMI’s Debut series his performances...
Reviewed by Bryce Morrison in issue: 7/2004
This disc is presented as if Prokofiev’s Second String Quartet were its main attraction, but it does in fact contain...
Reviewed by David Gutman in issue: 5/2003
By comparison with the recent Guildhall Strings anthology (RCA, 3/92) which duplicates the Holberg Suite, the Two Elegiac Melodies and...
Reviewed by Robert Layton in issue: 9/1992
An easy listen that toys with a comfortable mysticism. Franco Battiato’s music is warmly harmonized, hazily atmospheric and utterly synthetic....
Reviewed in issue 5/1996
What no one will deny is the amazing unanimity and precision of the playing here and the superlative quality of...
Reviewed by David Gutman in issue: 4/2009
Italian 17th-century violin music seems to be a bit of a growth area on CD at the moment, and quite...
Reviewed by Lindsay Kemp in issue: 2/2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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