Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The fourth volume in Haebler's complete De on cycle still only brings her total of sonatas to ten—plus the C...
Reviewed by Joan Chissell in issue: 7/1989
Like most people interested in string playing, I’m a keen admirer of Fritz Kreisler: of the communicative power of his...
Reviewed by DuncanDruce in issue: 11/2010
The trouble with Henry Cowell is that he wrote so much music - nearly 1,000 official opus numbers - that...
Reviewed by Peter Dickinson in issue: 13/1999
Even if you were to venture no further than the first track (the Second Suite’s glorious opening Toccata), you would...
Reviewed in issue 4/1999
Bach designated each of these a ''dramma per musica'' (an early term for opera), but there is only minimal drama...
Reviewed by Lionel Salter in issue: 12/1992
Very, very hard it is to credit the indisputable truth that this is a man, and a tenor, half-way through...
Reviewed in issue 8/1995
Maxim Shostakovich’s contribution to the great Testimony debate (Hamish Hamilton: 1979) has been sensible and measured; he accepts the substantive...
Reviewed in issue 1/1999
Some of Leonard Bernstein's recent recorded interpretations have been so idiosyncratic that his general regard for the letter of the...
Reviewed by Stephen Johnson in issue: 3/1988
This is enjoyable and a pretty impressive achievement, for Louis Lortie is a very intelligent player who possesses a sense...
Reviewed by Christopher Headington in issue: 10/1989
Many composers have turned to the symphony later in life, usually to produce a solitary example – as in the...
Reviewed by Guy Rickards in issue: 8/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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