Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Thomas Adès features both as composer and pianist on this new release: two piano quintets which, though composed 182 years...
Reviewed by kYlzrO1BaC7A in issue: 8/2005
Gone are the days when collectors could go out and buy Toscanini's RCA LP of these two symphonies, a difficult...
Reviewed by Richard Osborne in issue: 2/1990
Back in 1927, Ernst Krenek hit the mood of the times for imaginative yet up-to-date opera with Jonny spielt auf...
Reviewed by Arnold Whittall in issue: 1/2007
Vieuxtemps’s two best-known violin concertos have never been entirely neglected but I can remember when they were viewed as having...
Reviewed by DuncanDruce in issue: 7/2010
In Alfred Brendel's recent collection of essays Music Sounded Out (Robson: 1991), there is an absorbing conversation entitled ''On Schnabel...
Reviewed by Richard Osborne in issue: 7/1991
It is a happy coincidence that these recordings arrived for review at the same time. In spite of the energetic...
Reviewed by Julie Anne Sadie in issue: 13/2003
With grateful acknowledgement to the company of saints in general, and special mention for a few of the better known,...
Reviewed in issue 7/1993
One could hardly imagine a concerto that is more uncompromisingly “symphonique” than Bloch's 45-minute edifice, a veritable epic that opens...
Reviewed by Rob Cowan in issue: 5/2008
Since the war there hasn't exactly been a great rush to record these three quartets, and at the moment the...
Reviewed in issue 8/1987
Britten's Piano Concerto, composed in 1938, is a bravura piece, let down by its mock-Prokofiev finale, where the poor quality...
Reviewed in issue 2/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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