Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is the high art of hymnody. No tentative playover on the stopped diapason while knee-joints crack and fingers fumble...
Reviewed in issue 5/2001
Some attractive Milhaud discs are coming my way during the composer's centenary year. I suspect few people know that he...
Reviewed by Christopher Headington in issue: 7/1992
It is convenient, but entirely fanciful, to suggest that a composer performing his own music in person provides the definitive...
Reviewed by Marc Rochester in issue: 5/1994
Fifty years ago only half a dozen or so fiddlers would have had the technical expertise to record the complete...
Reviewed by James Methuen-Campbell in issue: 5/1994
Russia’s Silver Age, the last cultural flowering of Tsarism, was an astonishing period of creativity in all the arts, though,...
Reviewed by John Warrack in issue: 11/2009
Bruno Weil and his forces bring a characteristic freshness and verve to Haydn’s great “Mass in time of war”, with...
Reviewed by Richard Wigmore in issue: 11/1996
These quintets come from a set of six in a Madrid manuscript with an attribution to Boccherini: they are not...
Reviewed by Stanley Sadie in issue: 8/1998
Born in 1949, Evgeni Koroliov is another fine pianist from that seemingly inexhaustible pool of talent nurtured in the old...
Reviewed by David Gutman in issue: 12/2000
The absence of a true pp in La mer, which I remarked on when reviewing the LP version of this...
Reviewed by Michael Oliver in issue: 3/1985
David Diamond of the 1940s—eager, impressionable, modal. Fresh from Boulanger in Paris, the First Symphony vaults from the launch pad...
Reviewed by Edward Seckerson in issue: 1/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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