Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I was a bit reluctant, on the principle of not looking gift horses in the mouth, to subject this outstandingly...
Reviewed by Michael Oliver in issue: 12/1994
Patrick Lambert’s superb survey of Czech conductors “In the shadow of Talich” (ICRC, Summer 1996) makes generous and rightful claims...
Reviewed in issue 8/1996
I have never quite shared the enthusiasm for Lemnitz's singing expressed by some colleagues and friends (though not by JBS,...
Reviewed by Alan Blyth in issue: 10/1990
Harmonia Mundi’s annotation tells us that Josep Pons “combines his profession as orchestral conductor with an intense teaching career”. I...
Reviewed in issue 3/1997
Still they come: the count stands now at 24 versions. There are no revelations to speak of here, save the...
Reviewed by Edward Seckerson in issue: 7/1990
The first point worth noting about this enjoyable release is its remarkable sound quality: the actual recorded balance is extremely...
Reviewed in issue 7/1996
‘That’s how I would like my Ninth Symphony to sound!’ exclaimed Brahms on the slow movement of this‚ one of...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2002
Joyce Hatto was first celebrated for her Liszt performances and here, complementing her disc of the Transcendental Etudes, she offers...
Reviewed by Bryce Morrison in issue: 3/2007
The Skalkottas discography is dominated by the important series issued by BIS, making alternative versions the more welcome – not...
Reviewed by Richard_Whitehouse in issue: 5/2010
The libretto of Solomon, author unknown, is strange. Much of Act 1 is devoted to an epithalamium celebrating the wedding...
Reviewed in issue 12/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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