Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Last year, after I had made some less than complimentary remarks about the playing of the Concertgebouw on a set...
Reviewed by Richard Osborne in issue: 6/1998
Koechlin fans have good reason to welcome this disc‚ containing all 15 of the Etudes‚ Op 188 and seven of...
Reviewed in issue 8/2002
By many people today Eileen Joyce is remembered only for playing Rach 2 on the soundtrack of the film Brief...
Reviewed by Lionel Salter in issue: 7/1998
The title should‚ more accurately‚ read ‘Russian operatic arias‚ overtures and dances’; that‚ I would say‚ is more widely attractive....
Reviewed in issue 13/2002
The Bach/Busoni and the Franck were recorded in 1970 and are characteristic of Rubinstein's strongly disciplined way with large-scale forms....
Reviewed by James Methuen-Campbell in issue: 9/1988
In this year of his sixtieth birthday, how good to have this reminder of Fou Ts'ong's lifelong devotion to Chopin....
Reviewed by Joan Chissell in issue: 12/1994
In the alphabetical index of great singers, Calve follows Callas, and the sequence is suggestive. Both were actress-singers who brought...
Reviewed in issue 5/1999
For a composer whose style can be acutely abrasive, Sven-David Sandstrom (b 1942) begins his single- movement concerto in uncharacteristically...
Reviewed in issue 6/2000
The Hungarian National Philharmonic under the leadership of Zoltán Kocsis has provided Hungary with a first-rate ensemble to rival Iván...
Reviewed by Rob Cowan in issue: 9/2008
Nowadays it's virtually impossible to hear a performance of Dvorak's Piano Quintet in which the first two themes aren't taken...
Reviewed in issue 7/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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