Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
My impression after a cursory first encounter with Carl Rutti’s choral music was that here was another in the mould...
Reviewed by Marc Rochester in issue: 12/1996
Lou Harrison composes as if he were discovering the simplest materials for the first time. This 1940s anticipation of minimalism...
Reviewed by Peter Dickinson in issue: 2/1994
Schnittke's four-movement Sonata is a large-scale work, lasting almost 30 minutes. It is unlikely to persuade anyone who believes that...
Reviewed by Arnold Whittall in issue: 10/1991
When I reviewed the LP of these performances I remarked that the playing, though crisp and lively, was a little...
Reviewed by Nicholas Anderson in issue: 4/1985
In November 1993 I reviewed a recording of Peter Philips’s motetsÊby the Choir of Winchester Cathedral.ÊI was rather critical of...
Reviewed in issue 4/2002
Ondrej Lenard and his Bratislava orchestra have already given us a complete Nutcracker on CD (9/91); notable for its vivacity...
Reviewed by Ivan March in issue: 12/1991
Subtitled ''Romantic Harp Music Of The 19th Century'', this disc brings us 11 salon pieces, several in variation form and...
Reviewed in issue 9/1986
The Haffner Symphony is played in an amazingly romantic fashion for Toscanini, with many rubatos and other expressive devices which...
Reviewed in issue 11/1992
This is one of those records – and I certainly haven't found too many of them – where the promise...
Reviewed in issue 11/1995
This ensemble’s new offering is a re-creation of Vespers for the Feast of St Louis IX, King of France, taken...
Reviewed by Fabrice Fitch in issue: 6/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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