Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
We learn something every day: as here, that Leoncavallo set a poem of Andre Chenier’s (La chanson des yeux) and...
Reviewed in issue 4/1996
Brand-new budget-price recordings which can rub shoulders with the best are rarer than one imagines (Colin Davis's 1962 HMV Concert...
Reviewed by Richard Osborne in issue: 3/2007
Considered in isolation from Martin Scorsese’s new film on the life of the Dalai Lama, Philip Glass’s score takes on...
Reviewed in issue 5/1998
While Bach may have conceived his Inventions and Sinfonias as teaching pieces, Till Fellner’s intelligent and characterful pianism consistently embraces...
Reviewed by Jed Distler in issue: 9/2009
Best known for his iridescent orchestral scores, Druckman achieves in his quartets a fine balance between formal complexity and expressive...
Reviewed by kYlzrO1BaC7A in issue: 11/1998
Hard to believe, I know, but this is the third recording of Sir Eugene Goossens’ Oboe Concerto of 1927 to...
Reviewed by Andrew Achenbach in issue: 6/2004
Norah Amsellem is fortunate in having Dalton Baldwin as her accompanist here. The late Gérard Souzay, Baldwin’s longtime collaborator, penned...
Reviewed by Patrick O'Connor in issue: 4/2005
Arthur Benjamin's Jamaican Rumba was the result of a visit there in 1938 and it soon became a world hit....
Reviewed by Ivan March in issue: 5/2000
This CD is a timely reminder, a generous one too, of Baker in her prime. At the peak of her...
Reviewed by Alan Blyth in issue: 11/1994
A fine performance and hardly less impressive recording, which holds up surprisingly well on all counts against the competition it...
Reviewed by Robert Layton in issue: 8/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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