Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I was present at the second of the performances of this new production given at the Munich Festival in the...
Reviewed by Alan Blyth in issue: 5/1996
Faramondo (1738) was written after the remnants of the Opera of the Nobility and Handel’s opera company merged together...
Reviewed by David Vickers in issue: 7/2009
Christoph von Dohnanyi’s reputation for brisk, objectified Mahler is not borne out by this unexpectedly long-breathed and evidently long-pondered reading....
Reviewed in issue 6/1999
The four lavish canvases that make up Bartok's Pieces are virtually as much a 'concerto for orchestra' as the better-known...
Reviewed in issue 3/1994
This is a fascinating selection of early polyphony from the great 11th- and 12th-century school of Notre-Dame in Paris. Some...
Reviewed by mberry in issue: 1/2007
The highlights of this collection are the Budapest players’ vividly realised accounts of the rarely recorded wind and string Serenata...
Reviewed by Richard Osborne in issue: 3/2009
While Mengelberg’s partnerships with both the Concertgebouw and New York Philharmonic remain among music’s legends, his work with the Berlin...
Reviewed by Bryce Morrison in issue: 9/1998
Subtitled ‘acts of emancipation’‚ both these works shared a critical reception: one of scorn and incomprehension for their novelty. Endlessly...
Reviewed in issue 12/2001
Now in his early sixties, Usko Merilainen is one of Finland's most respected composers, though his representation in the catalogue...
Reviewed in issue 11/1992
Plenty to enjoy here, not least some flexible, warm-hearted conducting from David Lloyd-Jones, whose Delian sympathies are not in doubt....
Reviewed by Andrew Achenbach in issue: 3/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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