Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The catalogue is not short of recordings of the original piano version of Mussorgsky’s Pictures – some 50 at current...
Reviewed by John Warrack in issue: 3/1998
The past few years have been fairly quiet so far as new recordings of the Leningrad are concerned. Now we...
Reviewed by David Fanning in issue: 8/2003
Messiaen has described Harawi as the first panel of his 'Tristan-triptych', the others being Turangalila and the Cinq rechants. One...
Reviewed by Michael Oliver in issue: 6/1985
The promise of the first CD in the Naxos series of the music of the Milanese composer Elisabetta Brusa (10/02)...
Reviewed by Ivan March in issue: 1/2003
Records of Mozart arias seem all the fashion just now. I am not certain that they make wholly satisfactory recitals,...
Reviewed by Alan Blyth in issue: 8/1985
An interest, less than eager, more than merely polite, is what one might reasonably be expected to show in Rossini’s...
Reviewed by Richard Osborne in issue: 10/1998
As it happened I listened to this Otello a couple of days after hearing the Kleiber/Domingo performance at Covent Garden....
Reviewed by Alan Blyth in issue: 3/1987
Archiv Produktion and Teldec have done it again. Having twice previously achieved simultaneous releases of Telemann's instrumental anthology Musique de...
Reviewed by Nicholas Anderson in issue: 4/1991
This is Messiaen’s largest organ cycle, a triumphant summary of his totally personal compositional techniques and an imposing celebration of...
Reviewed by Peter Dickinson in issue: 5/1999
As Davies himself has made clear, the Sinfonia is one of his homages to Monteverdi, while the sleeve-note to this...
Reviewed by Michael Oliver in issue: 3/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.