Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
From the earliest days of recording, Christmas songs have featured in the record lists, sung by opera stars aiming for...
Reviewed by Patrick O'Connor in issue: 12/1999
At last we have a recording of John Eccles’s Judgment of Paris, the pastoral masque composed for a competition in...
Reviewed by Julie Anne Sadie in issue: 6/2009
Gerhard’s Harpsichord Concerto has had a decidedly chequered history. The excellent insert-note relates how the player who commissioned it made...
Reviewed by Lionel Salter in issue: 8/1999
Gieseking the classical stylist in Liszt? In fact his account of Liszt’s First Concerto is one of the most illuminating...
Reviewed by Michael Oliver in issue: 3/1996
This well-filled CD assembles the contents of two separately issued LPs. One (reviewed in February 1986) included Martin playing the...
Reviewed by Robert Layton in issue: 3/1990
There is so much to admire in this thoughtfully prepared and executed and well-filled disc that I feel churlish in...
Reviewed by Alan Blyth in issue: 6/1993
There now seems to be a new version of Vivaldi's Four Seasons appearing at approximately monthly rather than quarterly intervals....
Reviewed by Ivan March in issue: 11/1989
Goodness, the Korngold Piano Trio is proving a very popular choice for recording artists these days; this arrival brings the...
Reviewed by Michael Stewart in issue: 6/1994
In this CD of highlights from The English Concert's classic 1984 recording of Handel's organ concertos, the deficiencies noted in...
Reviewed in issue 9/1987
In a recent roundup of some reissues from the Choir of New College, Oxford on CRD I expressed the hope...
Reviewed by Fabrice Fitch in issue: 11/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.