Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Here is a rare appearance on disc of music by Brian Brockless (1926-95). He was not prolific, concentrating his energies...
Reviewed by Marc Rochester in issue: 3/2004
Figure humaine, one of Poulenc's finest major works consists of settings of eight poems by Paul Eluard that were circulated...
Reviewed by Lionel Salter in issue: 3/1990
Volume 4 completes Noriko Ogawa’s Debussy cycle. And here in the 12 Etudes she faces her stiffest challenge, one where...
Reviewed by Bryce Morrison in issue: 9/2008
Christophe Rousset has been moving through Bach’s harpsichord music at a leisurely pace since appearing on the scene a dozen...
Reviewed by Lindsay Kemp in issue: 5/2005
If Walton's sense of humour was firmly established from the start in Facade, his one-acter, The Bear, among his later...
Reviewed by Edward Greenfield in issue: 1/1994
Here is something to delight all but the most misanthropic listeners. Even by their own standards, this is one of...
Reviewed by Patrick O'Connor in issue: 2/2002
Virtuosity serving profundity? An unlikely concept perhaps but it happens here. Sample the fifth movement, Presto, of Op 131 and...
Reviewed by Nalen Anthoni in issue: 11/2010
A coupling of these works has never appeared before. Yet Mackerras’s medley of Savoy melodies provides an ideal appetiser for...
Reviewed by Andrew Lamb in issue: 11/2007
On the stage, Alfonso und Estrella makes a poor impression, for, as in other of his operas, Schubert's failure to...
Reviewed by John Warrack in issue: 12/1994
Collectors whose shelves groan with recordings of Wagner’s final music drama might be hoping that this one can safely be...
Reviewed by Arnold Whittall in issue: 13/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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