Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
'Never play the lute after Bakfark. 'No, not a line from some 'A Doctor Writes' column, but an old Polish...
Reviewed by Lindsay Kemp in issue: 4/2000
On paper this looks like a winner. The Berlin Philharmonic is easily the most prestigious orchestra to have attempted all...
Reviewed by David Gutman in issue: 12/2000
Here are 54 minutes of unassuming ‘domestic’ music, played carefully without special pleading or concert-hall-type projection of any kind, and...
Reviewed by Joan Chissell in issue: 2/1996
Only three works by Stravinsky are in any sense over-represented in the current catalogue, and Oedipus Rex seems unlikely to...
Reviewed in issue 3/1994
The musicians of Fretwork are in playful mood. Their creative energy is one of the many qualities that mark them...
Reviewed by Julie Anne Sadie in issue: 10/2005
It is sometimes overlooked that tango – at least as it has appeared in classical forms – is primarily a...
Reviewed by Guy Rickards in issue: 13/2011
The intellectualized campus-style hyperbole of the notes which accompany this disc, vacuously entitled ''Travels through time and texture'', fail to...
Reviewed by mjameson in issue: 9/1992
The guiding principle behind this coupling is a certain Apollonian quality – clarity‚ Classical proportion – that‚ in Günter Wand’s...
Reviewed in issue 9/2002
John Williams, we’re told, has relinquished his franchise on the Harry Potter cycle to concentrate on films offering a greater...
Reviewed by Adrian Edwards in issue: 4/2006
The death of Fausto Romitelli in 2003 at the age of only 41 deprived contemporary music of a singular talent,...
Reviewed by kYlzrO1BaC7A in issue: 7/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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