Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Beethoven composed the Octet, Op. 103 and Rondino, WoO25 sometime around 1792 and, although it was published separately, there is...
Reviewed in issue 8/1994
Now 82, Jean Francaix has earned respect and affection during his long career, even if he has hardly fulfilled the...
Reviewed by Christopher Headington in issue: 4/1995
These two issues complement each other very happily, the Romophone going up to 1920, the Conifer concentrating on later recordings,...
Reviewed in issue 3/1994
Building a programme of melodies to texts by Baudelaire is as difficult as compiling a recital of Shakespeare sonnets in...
Reviewed by Michael Oliver in issue: 4/1988
Gerard Schwarz and the Seattle Symphony made a splendid recording ((CD) DE3082, 4/90) of Strauss's Symphonia domestica and the suite...
Reviewed in issue 9/1990
It was Bach's skill at ''wrestling such polyphony from the violin'' which most impressed Albert Schweitzer, and also, it seems,...
Reviewed by hfinch in issue: 5/1986
Karl von Ordonez (also known as Carlo d’Ordonez) may sound like an unlikely Viennese but he was in the thick...
Reviewed by Lindsay Kemp in issue: 5/2006
Liszt made his transcriptions of Beethoven's symphonies so that music-lovers could familiarize themselves with these masterworks at a time when...
Reviewed by James Methuen-Campbell in issue: 8/1988
Errollyn Wallen (b1958) is unsettlingly versatile. Her works range from jazz songs (a highly successful sideline which she has toured...
Reviewed in issue 7/2002
This third volume is a fine one for mentally turning the pages even before hearing a sound. The 'look' of...
Reviewed in issue 8/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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