Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
András Schiff’s sharp attention to detail spills over from the first volume in his projected Beethoven cycle into this recital,...
Reviewed by Jed Distler in issue: 7/2006
What an astonishing conductor Victor de Sabata was. The Carlos Kleiber of his day: the parallel is not entirely inexact.At...
Reviewed in issue 10/1999
Dvorak's Slavonic Dances owe their existence to Brahms's publisher, who thought that the older composer's Hungarian Dances might usefully have...
Reviewed by Christopher Headington in issue: 12/1992
An enjoyable, but ultimately undistinctive cycle from Jordan; Klemperer at both his inspired best and his infuriating worst; and the...
Reviewed by John Steane in issue: 12/1990
Petits Motets were generally sung in the Royal Chapel during the Mass between a Grand Motet and the Domine salvum...
Reviewed by Nicholas Anderson in issue: 4/1993
In the autumn of 1957, Walter Legge staged a Beethoven festival in honour of Otto Klemperer at the Royal Festival...
Reviewed by Richard Osborne in issue: 11/2004
Gone are the days when the Minneapolis Orchestra (as it then was) was regularly recorded by the major companies‚ but...
Reviewed in issue 3/2002
Here is cause for triple celebration: first of enterprise, secondly of what Tureck, in her trenchant and dazzling notes, calls...
Reviewed by Bryce Morrison in issue: 2/2000
This follow up to Roberta Alexander's Etcetera disc of Barber songs with piano (9/88) will be welcomed by the composer's...
Reviewed in issue 6/1993
These are not ‘highlight’ records in the normal sense of the term: they don’t reckon to select the best numbers...
Reviewed in issue 6/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.