Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
ASV are to be congratulated for this far-sighted release of the violin concertos of Richard Strauss and Christopher Headington. If,...
Reviewed by mjameson in issue: 12/1991
Musically speaking, the reign of King James I was almost as glorious as that of “that bright Occidental Star, Queen...
Reviewed by Richard Lawrence in issue: 4/2011
''Music Of The Gothic Era'' was the last and arguably the most successful of David Munrow's boxed sets of pre-baroque...
Reviewed in issue 8/1985
Antonio de Torres (1817-92) was the god who created the classical guitar as we know it today, and the composer,...
Reviewed by William Yeoman in issue: 13/2010
Brahms, lean yet muscular. Not a gram of fat thickens the textures. The violins are a touch slender, the acoustic...
Reviewed by Nalen Anthoni in issue: 5/2009
These are very lively and musically intelligent performances of the Handel recorder sonatas. All six are given: the four from...
Reviewed by Stanley Sadie in issue: 3/1996
The Bach Guild would seem to have drawn its early initiative from the Archiv Division of DG which had been...
Reviewed by Nicholas Anderson in issue: 9/1993
Some of the titles and instruments used here (Tibetan singing bowls, bird calls, finger cymbals, rainsticks) conjured up visions of...
Reviewed by bwitherden in issue: 11/2005
Here in all his glory is Friedrich Gulda the ultimate maverick pianist, a man who declared classical music dead and...
Reviewed by Bryce Morrison in issue: 6/2010
Mercadante, we remember (or not), had time out in Spain, returning to the operatic scene in 1832 with formidable mastery...
Reviewed by John Steane in issue: 6/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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