Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘Emil Gilels – The Giant’, RCA’s title for this two-disc tribute, rings true. Few pianists have been more masterly or...
Reviewed by Bryce Morrison in issue: 8/2000
What a welcome change it is these days to find Mozart coupled with someone else! This is an attractive little...
Reviewed by Lindsay Kemp in issue: 7/1991
This very welcome disc offers a well varied selection of Boccherini's string quintets, covering 25 years and a wide range...
Reviewed by Stanley Sadie in issue: 9/1988
Sviatoslav Richter’s Schubert has always provoked controversy and APR’s reissue of recordings dating from 1956 57 is a savage reminder...
Reviewed by Bryce Morrison in issue: 13/2009
Muti relishes laying the curse on the huntsman with an (unmarked) mighty broadening for its final damning chords (from 11'04''),...
Reviewed by John Steane in issue: 9/1993
Berlioz greatly admired Nicolai—he encountered him and his work in Vienna—above all as a brilliant conductor, and one facing a...
Reviewed by John Warrack in issue: 3/1990
It is remarkable that the first-ever complete recording of Bach's works for solo violin should have been entrusted by HMV...
Reviewed in issue 8/1989
It is with some surprise that I find very little of Johann Georg Pisendel’s music in the current catalogue. This...
Reviewed by Lindsay Kemp in issue: 8/2003
Vintage 1956, Italian television, black and white, ‘the flicks’ appropriately named, with an occasional vertical line down the middle, and...
Reviewed by John Steane in issue: 7/2006
I Hate Mozart is astute, witty and pacy music-theatre about a fictional staging of The Magic Flute. The plot is...
Reviewed by Philip_Clark in issue: 1/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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