Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Traviata is another and welcome addition to the excellent performances of Aida and Falstaff (TDK, 2/02 and 1/03) from...
Reviewed by Alan Blyth in issue: 3/2003
These settings of the same text by two Italian composers (more exactly, Sicilian in the case of Astorga) who spent...
Reviewed in issue 10/1999
Thanks to the many uncertainties, transcriptions and overlappings of Handel's chamber music output, definitions of 'Handel's Recorder Sonatas' tend to...
Reviewed by Lindsay Kemp in issue: 2/2000
In reviewing the original LP issue, IM noted the brilliantly lit recording which added to the immediate excitement of the...
Reviewed by Edward Greenfield in issue: 5/1985
Ainsley, Gilchrist, Bostridge, Padmore and (a little earlier) Tear, Partridge, Langridge, Hill, Rolfe Johnson back to Lewis and Pears: to...
Reviewed by John Steane in issue: 9/2007
Offering some acute and warm-hearted after-thoughts, Steven Osborne complements Roger Nichols’s accompanying essay, confessing to a lifelong love of Ravel....
Reviewed by Bryce Morrison in issue: 4/2011
While there are quite a few recommendable harpsichord recordings in the current catalogue of the complete Partitas, no piano version...
Reviewed by Lionel Salter in issue: 6/1997
Many recorder consorts suffer from imbalance, dubious intonation, and a tendency for the pitch of sustained notes to sag, with...
Reviewed by John Duarte in issue: 8/1986
These cassettes, models of the better kind of experimentation in contemporary church music, are a refreshing antidote to the sort...
Reviewed by mberry in issue: 12/1989
Francisco de Penalosa counts for many people as the Spanish Josquin: he was a bit younger than Josquin, and he...
Reviewed in issue 7/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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