Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
None of these four concertos is original Bach; each is a conjecture of how it might have started life. The...
Reviewed by John Warrack in issue: 2/2011
Let me get my disappointments out of the way first, and only two really matter. Both concern Kocsis's reaction to...
Reviewed by Joan Chissell in issue: 1/1985
With a booklet cover evoking something of Punk’s heyday‚ you might expect this disc to be an ‘in your...
Reviewed by Richard_Whitehouse in issue: 1/2002
The time cannot be far off when recorded music will be programmed to fill the room with appropriate odours, maybe...
Reviewed by John Steane in issue: 12/1999
If this is in any real sense a tapestry it must be because ancient and modern are interwoven. In most...
Reviewed in issue 9/1990
In DG’s eight-disc compilation of Beethoven’s miscellaneous piano works it was Pletnev, along with the young Italian Gianluca Cascioli, who...
Reviewed in issue 6/2001
Schubert's last string quartet, composed in the space of 11 days in June 1826 (two years before his death), is...
Reviewed by rgolding in issue: 11/1987
Even more Copland. This time from a New York group which has already recorded the Britten, Elgar and Vaughan Williams...
Reviewed by Peter Dickinson in issue: 3/1991
Anyone who has already encountered the Lahti/ Vänskä partnership in Sibelius will know to expect performances of great vitality and...
Reviewed by David Fanning in issue: 9/2002
My introduction to violinist Alexandre da Costa and conductor Jesús Amigo came from their superb 2005 recording of Luís de...
Reviewed by Andrew Farach-Colton in issue: 10/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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